Lesbian
Fiction Herstory |
The
Woman Who Dared
To Demand a Niche in Creation
©
2005 by Lori L. Lake
Part 3 of 5
"Youre
neither unnatural, nor abominable, nor mad;
youre as much a part of what people call nature as
anyone else; only youre unexplained as yet
youve not got your niche in creation."
~Radclyffe Hall (18831943),
spoken by the tutor character, Puddle, in
The Well of Loneliness (1928)
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All right, all of you out in Cyberland, raise a hand if you have
heard of Radclyffe Hall. Oh, lovely! That's wonderful. Now, out
of curiosity, let's see a show of hands from all of you who have
read a novel written by Radclyffe Hall. Come on now, don't be shy.
No hands? How odd
Wait - there's someone there in the back.
Well, I see I have my work cut out for me if all of you young, fresh-faced
women have heard of her but haven't read her work. Let me start
with some biographical facts. |
The
Woman Who Dared
Marguerite
Radclyffe-Hall was born in 1880 to an American widow and a rich,
gadabout Brit whose father, a wealthy physician, had been knighted.
Marguerite lived through a miserable childhood. She hated her
name, and by most accounts, she didn't care for her mother either.
When she got older, she took to calling herself John, and to the
end of her life, that is the name by which all friends and associates
addressed her. Her readers and fans knew her as Radclyffe. |
"John" |
One
of the most interesting things about Hall's earlier years is that
at the age of 21, she inherited from her grandfather a giant estate
worth the equivalent of over ten million dollars. Later she was
taken under the wing of Mabel "Ladye" Veronica Batten
who nurtured and supported Hall's writing efforts. And then, the
most interesting thing of all occurred in 1915: at the age of 35,
Hall became lovers with a woman named Una Troubridge (her second
lesbian relationship). Within just a few years, Hall began dressing
in what we would now call a "butch" manner. She started
studying psychic and psychological phenomena. Using the theory of
"congenital inverts," in which people are born deeply
flawed in terms of gender personality, she developed her own idea
of the masculine female "invert" as a way to understand
her desire for women. And then she went on to work on the novel
that would become The Well of Loneliness. |
Radclyffe
Hall,
whom Esther Newton called,
"The most infamous
mannish lesbian of all time."
|
It was early
in the twentieth century, and there was no such thing as a Lesbian
Identity. (In fact, the word "lesbian," denoting female
homosexual, had only just been coined near the turn of the century.)
It seems odd to realize under today's circumstances, but without
books and TV and the Internet, not to mention the oral tradition
and classes taught at university on the subject, any woman of
Hall's time who was attracted to other women would have to consider
herself a bizarre abomination at worst, an odd anomaly at best.
The last
words of the novel, where Stephen is entreating God, go like this:
"Acknowledge us, oh God, before the whole world. Give
us also the right to our existence!"
Those words,
calling for fairness, understanding, and the right to exist as
lesbians in a world that was seldom accepting, constituted a very
brave demand.
|
|
As
of the time of writing this (in 2005), it's been 125 years since
Radclyffe Hall was born and over sixty years since she died. Her
most famous novel, The Well of Loneliness, which she published
herself, was deemed obscene by the British and not published in
England until 1952, nine years after her death. But American audiences
were able to get hold of copies with ease. And for decades after
1928, Americans read the novel with great interest. But in the
last ten to twenty years, though the mystique about Hall has perhaps
increased, knowledge and awareness about the woman and her groundbreaking
work, The Well of Loneliness, have actually decreased.
And this has occurred because the portrait Hall painted of The
Lesbian in Society is no longer an accurate one. We are not "inverts."
And we are no longer alone. For the last forty years (at least)
an entire culture of women has been exploring and defining their
identities as lesbians. |
The Well of Loneliness is marked with pain, anguish, loneliness,
grief, suffering, and heartache. Those who had read the book in
the first five decades following its publication couldn't possibly
have found solace there, could they? But yes, apparently they
did. Lesbians who felt alone and filled with the same self-hatred
as Stephen Gordon felt experienced some measure of relief that
perhaps they weren't so alone after all. Someone, somewhere -
even if it was way over in jolly old England - understood what
it was like to feel rejected and rejectable. The book was gradually
translated, at last count into 15 languages, so women all over
the Western world could potentially read this novel. That the
British chancellors and magistrates and censors stopped the publication
of the book in 1928 only served to further popularize it and make
Radclyffe Hall a hero for generations of lesbians.
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|
|
If only Radclyffe Hall could be alive today to see the changes
in attitudes and the leaps of understanding that women have
made in terms of creating a Lesbian Identity. No longer do women
need to feel shame and worthlessness about their love for other
women. The world is still not a perfect place, particularly
outside the Western nations, but a community of shared consciousness
has emerged in the last couple of decades. Halls' protagonist
Stephen says, "I am one of those whom God marked on the
forehead. Like Cain, I am marked and blemished. If you come
to me ... the world will abhor you, will persecute you, will
call you unclean."
Thank goodness
this attitude has changed!
|
But
is Hall a hero anymore? Is her work still laudable? Those who criticize
The Well of Loneliness do so because the book's tone is gloomy
and depressing, the ending is tragic and full of pain, and the main
character, Stephen, is so obviously filled with self-hatred. We
read a passage like the following, and with today's cultural climate
(unless you are in the grips of fundamentalist Christians), it seems
a little unreal:
"Love me, only love me the way I love you. Angela, for God's
sake, try to love me a little don't throw me away because if you
do I am utterly finished. You know how I love you, with my soul
and my body; if it's wrong, grotesque, unholy, have pity. I'll be
humble. Oh, my darling, I am humble now; I'm just a poor, heart-broken
freak of a creature who loves you and needs you more than its life...
I'm some awful mistake God's mistake I don't know if there are any
more like me, I pray not for their sakes, because it's pure hell."
~The Well of Loneliness |
Radclyffe
Hall |
Radclyffe
Hall must have felt very alone - without the right or even the
full understanding to validate her own butch, lesbian existence.
If she hadn't been well-educated and wealthy, it's unlikely she
would ever have had the opportunity to explore these issues or
write about women who love women.
Hall is still
read and referenced in women's studies classes and by those who
study about lesbian history, but despite being given her expected
place in the canon, Hall's seminal work is read less and less
as each year goes by, and I have to celebrate that. Heather Love
puts it best in her article, "Hard Times and Heartaches:
Radclyffe Hall's Well of Loneliness": |
"In
The Well of Loneliness and
in her letters, Hall described the pleasures and pains she experienced
in claiming a deviant identity as the starting place for a movement
for political and civil rights. It is no wonder that such an
account should make lesbian readers uncomfortable, for it calls
attention to the ambivalent legacy of our own still-marginal
identity. But we should not for this reason reject, rebuke,
or condescend to Hall. Rather, I would argue that we ought to
lay claim to our own complex and difficult history. Despite
the bitterness, we ought to swallow hard, and thank Hall for
the butch, the tears, and the despair of it all."
|
Portrait of the Author
as a Young Woman
|
It's a humbling
and amazing experience to read The Well of Loneliness,
then follow that with pulp novels of the 40s and 50s, the nascent
novels of the 60s, and the subsequent books that reflect the advances
made culturally and socially by and for lesbians. Radclyffe Hall
demanded a niche in creation, and women who came after her worked
to envision what it should look like. Lesbians in Western society
are coming into our own, and our writing resonates with belief
in our self-worth. For that, I am truly grateful.
We've certainly
come a long way, baby! |
REFERENCE
RESOURCES
If
you would like to read more about Radclyffe Hall, her place in
history, and her novels and poetry, here are some excellent books:
Sally
Cline, "Radclyffe Hall: A Woman Called John"
Diana Souhami,
"The Trials of Radclyffe Hall"
Claudia
Stillman Franks,"Beyond the Well of Loneliness: The Fiction
of Radclyffe Hall"
Your John:
The Love Letters of Radclyffe Hall, ed. with an introduction by
Joanne Glasgow
Other
biographical information and analysis of Radclyffe's Hall's work
can be found here
at Today in Literature.
|
A
Poetry Excerpt
A gondola, the still lagoon;
A summer's night, an August moon,
The
splash of oars, a distant song,
A little sigh, and - was it wrong?
A kiss, both passionate and long.
"On
the Lagoon," Radclyffe Hall, 1906
|
Radclyffe
Hall's Poetry Books
Twixt
Earth and Stars, 1906
Poems of the Past & Present, 1910
Songs of Three Counties, and Other Poems, 1913
The Forgotten Island, 1915
Rhymes and Rhythms, Milan, 1948
|
Radclyffe
Hall's Other Novels
The Forge, 1924
The Unlit Lamp, 1924
A Saturday Life, 1925
Adam's Breed, 1926
The Well of Loneliness, 1928
The Master of the House, 1932
Miss Ogilvy Finds Herself, 1934
The Sixth Beatitude, 1936 |
A
great many women can feel and behave like men. Very few of them
can behave like gentlemen."
~Radclyffe Hall
(1880-1943) |
Questions?
Hit me at Lori (at) LoriLLake (dot) com.
Until next
time!
Lori |
This page last updated on July 2, 2022
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